Lately, I’ve seemed to be in need of some of the Division’s spontaneity. At this point in December, I’m feeling a bit spent and my productivity has waned. It’s obvious to me that creativity and productivity are inextricably linked for me. If I’m not producing, I’m not problem solving and therefore am not being creative.

Yesterday, I got a little help with this problem from a friend . . . my mother. When I arrived at the nursing home to visit her, she informed me that it was about time I got there. She had on one earring and was trying to get the other stud on. I couldn’t help but wonder how long she had been at it. We laughed when she was finally “fixed”.

Then I asked her what she wanted for Christmas. Without missing a beat she said, “my TWO FRONT TEETH” and flashed me a big toothless grin. Indeed, her two front teeth are missing and she does need a couple! Again, we laughed and laughed. I think it was her spontaneity as well as her answer that got me. We went shopping together and then grabbed some lunch, but I just kept thinking about her Christmas wish.

This little episode reminded me of last year when we asked her where she was when she and my father got married. Again, without missing a beat, she said, “Out of My MIND!” The woman, who will be 91 in January, is quite clever.

When I got home yesterday, I continued to chuckle and decided to try a bit or jewelry work. That’s when things began to flow nicely and the ideas became present again. Was it just time to design or did the laughter really help. I vote that it was the latter.

I mainly worked with cabochons yesterday, but was pleased with a couple of the new wrappings and the bezel I created.  The first stone is a boulder opal and all the rest are turquoise (yes, even the brown one). See what you think.

I’m hoping to hang on to this productive thinking and continue to get some good work completed. I’m a believer that for me, at least, laughter leads to productivity and creative thinking.

I guess that the moral of this entry is . . . find something to laugh about and if you can’t find anything, go visit my mother!

Frequent and long time readers may recall that fold forming was the new technique I chose to develop last December and January during the winter lull between completion of the Fall products and the development of the Spring designs. Unfortunately, I may have moved too quickly from fold forming last year and back into rapid production for my customers. Also, I “closed” on the technique partly because I couldn’t figure out new things to do with it. I chose not to face the somewhat discouraging struggle that forces one into creative generation. I currently have renewed interest in fold forming due to a couple of happenings. Two of my lucky friends took a recent workshop with Kim St. Jean at the Texas Beadfest and their discussion of the class helped add to my refinement of the technique. Also, I gave a demonstration on the technique at a recent gathering of wire workers. Therefore, I had to practice.

The trick for me with fold forming has been trying to make something besides a leaf that would comfortably work as a piece of jewelry. First, I practiced some different ways to hammer on a few leaves and learned how to better ruffle the edges. Then I created a couple of copper cuff bracelets. I like using a long diagonal fold to start the bracelet design and following this with appropriate texture. I quickly learned that it’s important to begin with a longer and wider piece of metal than the size of the anticipated product. I folded the metal first and then cut the final bracelet shape. When I annealed the metal bracelets with a torch during the fold forming process, beautiful colors appeared on the pieces.

I’ve also been experimenting with a star shape shown in Newton-Brain’s book. First I made several pairs of earrings and then I created a larger star and used it as a pendant on a strand of coral. I gave the pendant a liver of suphur bath, tumbled it and then used the torch on it again. It adopted a very rich color.

Now the struggle is to try to develop some ideas of my own for fold formed shapes. Hopefully, I’ll have the time this year to stick with fold forming until I’ve either developed some new ideas or convinced myself that I CAN’T come up with anything new. Wish me luck.

I hope the season is remaining pleasant for you as it is for me. This year, instead of being cross, I chose to make a cross. One cross led to another and I am beginning to think I should just start a cross store. See what you think. Below are just a very few of those I’ve made.

The plain wire crosses are the easiest to make being composed of two pieces of 14 gauge wire soldered and then wire wrapped in the middle. These are then patinated and textured to provide the look of wood.

The flower-like wire crosses are a little more challenging. I eyeball the shape and occasionally create one that’s not as symmetrical as I would like. Yes, I know that I could use a jig and make them perfect, but that wouldn’t be me. Although you can’t see it very well in this photo the fold formed leaf at the top shares a jump ring with one of this style crosses.

The embellished cross required some problem solving before hatching. I saw a pendant in a magazine that was made by attaching beads to a filigree with wire. I tried this and liked the look except for the back shown below.

This was one big mess! As I pondered how to cover the mess, I, of course, thought about making it into a cross. First I soldered a wire cross onto a sheet metal disc.

Rather than overlapping the wires for the cross, I cut the side pieces and placed them beside the vertical wire. This made the cross a bit flatter. Finally, I wired the decorative filigree to the wire of the cross and finished the piece.

I made a smaller cross, not pictured, by whittling down the filigree piece. This removed the lovely outer curves and I didn’t like it as well.

Finally, I created a scroll type cross using double wires rather than single.

Customers at my last show seemed to enjoy selecting a cross and then choosing either chain or leather to go with it. They also had a choice of selecting a sterling silver cross. I’ve made these in various sizes.

Now it seems that every time I contemplate a new design, I can see the product made as a cross. Yet, I guess this is better than being CROSS! (I think I just heard a loud “Amen” from the other room.)

I’ve been enjoying making bangle bracelets the last couple of weeks. They are certainly the easiest bracelet that I’ve made in quite some time and with slight variations in diameter they fit most folks.

Those in the above photo are formed with a basic 12 gauge copper wire armature that I soldered together and then hammered into shape. With a liver of sulphur bath and only a couple of hours of tumbling, they are ready to be spangled.

I thought I knew about “spangles”, but did look up the term just to be sure. A spangle is a small shiny/sparkling spot or object. It might be a sequin, a piece of metal or a bead, etc. If you spangle something, the dictionary suggests that you are sprinkling it with spangles. Hmm . . . it didn’t take any deep thinking to figure out that one, did it?

I wrap the base of my bangles with different sizes of copper or artistic wire and decorate them with small beads or charms.  Most of these are adorned with gemstones, but the red one shown below features glass beads. The turquoise spangled bangles seem to be the most appreciated.

I tried putting just a few charms on one of the bangle and like the look. I haven’t yet given it a trial wear and don’t know if it will be comfortable. I made small loops in the wrapping wire and attached the charms as I wrapped.

It remains to be seen whether these spangled bangles will be popular with customers and friends. I do, however, know that people like spangles of one kind and another. Whether these are on jewelry, garments or in the form of smiles on friendly faces, we can all use a spangle now and then. How will you create yours?

Yesterday, rather than dripping the pickle across something, I managed to splash it. My copper tongs weren’t working well as I attempted to grab a small piece of wire from the crock pot and I bent over the pickle to look at it closely. Just as I peered in, the tongs snapped sending splashes of pickle onto my face. Although it only felt wet, I knew I should wash it right off. I wasn’t sure if any had splashed into my eyes, but ran upstairs and used my special eye wash to thoroughly wash my peepers. At the same time, I said a audible “thank you” to my son-in-law who purchased and mailed me the eye wash that I mounted above my sink. He said he wanted me to be able to “see” his son as he grew up. I think he’s a very smart fellow.

When my wits returned, I wondered why I take my safety goggles off following soldering and before I rescue pieces from the pickle. From now on, I’ll be leaving them on until I’m ready to leave the torch room.

I was lucky, the pickle on my face caused no harm – just a bit of excitement. It was, however, a big reminder about safety. When I rush around or when I’m totally comfortable with a potentially harmful technique, I think I tend to wave some precautions. This is just STUPID! If I don’t watch out for my health, I won’t be making jewelry or anything else. How about you? Let’s all be careful at whatever we are doing and stay safe!

By the way, if you don’t have a son-in-law like mine or husband like mine who makes me torch in a safe environment, get yourself a surrogate. We all need someone to watch after us.

In teaching piano, I found the big to small postulate to be the same. We started with a few large notes in songs and went on to hundreds of small notes and intricate passages. When my friend and I were trying to help little four year olds learn more efficiently, we developed musical notation with relatively large circles and ellipses that most little ones found easy to read. My engineer husband provided us with the appropriate drafting tools to write Keyboard Kapers, a book of original songs we used with the little ones. I wonder how many little pianists played songs about “my dog Blazer” when they were learning from us and the teachers with whom we worked. As the young pianists grew more proficient this notation gradually became the more common smaller notes we see in traditional music.

Having found success with big to large in the aforementioned reading formats, it seemed natural for me to apply this idea to learning to make jewelry. For example, when learning to make soldered bezels, I made large ones first and found they were easier than the tiny ones I’m trying to create now. I currently still have trouble and sometimes melt those little pieces of silver while encouraging my solder to hurry up and flow. Big IS easier!

Fortunately, a couple of my friends recently showed me how to use small premade bezels and snap sets for the tiny stones I wanted to work with. I purchased these from Rio Grande Jewelry Supply. I have always made large pendants, but decided I was ready to grow up to smaller pendants using this new bezel setting technique. My bravery extended as I also used more sterling silver that I usually do.

These pendants were not intended to look like anything in particular. I just wanted a pleasing shape that would house a little jewel. The first and second pictures show pieces that have rubies set in snap sets.

The next couple of pieces show peridot in snap sets. The first one IS NOT a bug!

Finally, I became brave enough to try a larger piece composed of more components. It’s still relatively small compared to most of the copper work that I do. Someone already told me it doesn’t look like my style since it is more formal. See what you think.

The photo on the left was taken from an angle and makes the piece look somewhat “off” Yet, it is symmetrical – my picture taking just isn’t! I wrapped a stone to hang from the basic silver armature and can change this out to other stones with the jump ring attachment.

Big to small is still working for me with one exception. I quickly realized early in learning about wire working that manipulating heavy gauge “big” wire is more difficult for me than working with a lighter gauge “small” wire. When you’re working with wire and have to sound like a tennis player who makes a noise every time she serves, it’s probably time to get a light gauge wire!

1. the folds formed by a garment from being pressed into a suitcase;

2. folds that appear on a face mainly in the later years of life (more commonly known as lines);

3. the formed folding of the human body resulting from an imbalance between calories consumed and calories burned;  .  .  .

We could keep going with those incorrect definitions, but the truth is that foldforming refers to procedures used on metal to create a variety of forms. I’ve been interested in this for several years and finally purchased Charles Lewton-Brain’s book Foldforming. I appreciate the author’s commentary regarding how foldforming can help a practitioner better understand the manner in which metal adapts to folding, hammering, annealing, etc. I’m attempting to work through the book slowly and learn technique as opposed to rushing ahead to just make something new. This particular book is good for my exercise since the author’s goal is teaching technique and I don’t feel that his emphasis is on how to make specific pieces of jewelry. Perhaps due to this, the book hasn’t always gotten the best practitioner reviews.

The procedures in foldforming largely involve folding the metal, hammering the fold and then annealing it with a torch. Then the fold is usually opened creating a line or ridge in the metal. You can see three different line folds in the above pendant.

The second pendant sports a line fold in the center, but I positioned the ridge of the fold in the back. Hammering the edges of the metal produced its expansion and the rippled effect shown in the photo.

Several people have commented that this one looks like a lily pad. I guess I need to go out and search for a little frog bead for the center.

Thus far my foldforming pieces have not received rave reviews. Rather than becoming discouraged, I have admonished myself to remember that I’m learning technique at this point. I believe that it may take a while to make this my own, but don’t dismay – I’ll get there!

By the way, if you are doing any foldforming, here’s hoping it’s all in metal!

Cold connections in jewelry making refer to the way we put things together, often in layers without using heat. I’ve been experimenting with the type of cold connections called riveting. Yes, my spouse is calling me Karen the Riveter, but luckily, I doubt you will be seeing my picture on any soon-to-be famous posters like Rosy the Riveter.

I would call a plain wire rivet the foundation for this technique. Constructing this requires creating holes in the pieces to be layered and inserting a piece of wire through the holes. You then flatten each end of the wire creating a small head that holds things together. This is done on both the top and bottom of your piece. This is easier said than done and it has taken considerable practice to make this type rivet work. Below is a photo of a necklace using a plain wire rivet. The rivets connect the large S’s to the focal.

I riveted a small piece of sheet metal to each wire component  It’s easier to see from the back of this piece.

The pendants/charms below show more riveting I just finished.

I used the same plain wire method for E.T.’s bicycle and flower. The other two pieces are riveted with wire on which I balled the ends with my torch. I know that I said “no heat”, but I was just making a big head pin, not connecting!

I really like using the balled wire since this means you only have to flare the backside of the rivet. It’s much easier. The problem that I’ve experienced is in balling the 14 gauge wire required to go in my 1/16 inch holes. This gauge of wire does not melt and ball very quickly and I’ve ended up creating a little oven type structure to aid the process. This structure, composed of old charcoal blocks and solderite has two walls and a bottom. Using the tweezers, I hold the wire in this little structure while I torch and this helps reflect the heat back toward the wire instead of out into space. It still takes a good length of time, but I think it’s worth it.

The last photo shows my first attempt at riveting ceramic beads . . . without breaking them. If you look closely, you can see that each part has 4 layers. From the top down, these are a brass daisy spacer, the bead, a dark copper disc and a teal colored copper disc to which I applied alcohol ink. This will become a necklace, but I’m still playing with how to connect or hang the pieces. They will have a propensity to flip and I’m trying to preplan and avoid that problem in the finished necklace. At the moment, I’m just feeling good about the riveting and not ready for the next challenge. You may notice that some of the wire balls became a bit flat as I worked on the bottom of the rivet. I’ve got to go back and fix that.

There are all sorts of other types of rivets including nail heads, tubes and decorative manufactured rivets. I have tried to nail down the basic technique before doing much with the others.

I hope rivets won’t leave you feeling cold. They really are a great connection!

I remember my Daddy’s hands. His fingers were short and stubby and his nails were broken and brittle. As a woodworker and gardener in his retirement years, those hands met with sand paper, dirt, varnish and all manner of stress. His left thumb was shorter than his right having met with the table saw several years before he died. I used to hold his hands and worry about the nicks and cuts, but they didn’t bother Papaw who would just say “oh well, it can’t be helped.“ This man’s hands showed that he was a worker.

My Mother’s hands tell another story. She, too, was a worker. I remember those hands that not only cooked and cleaned in our home, but also stayed busy with knitting, needlework and constant sewing. Hers depict the pain of arthritis that she has endured for so many years. Now they are gnarled and the enlarged knuckles keep Mamaw from her preferred activities. We have tried numerous things to solve the problem, but alas her days of creating are past. It is as though her body is saying that it’s time to rest. The picture below shows a snapshot of my Mother’s hands with my daughter’s hands taken on the latter’s wedding day.

Mamaw’s hands also depict the pride she takes in her looks. I cannot ever remember her wearing much nail polish, but she is still taking care of her own nails and stays well manicured.

For several years she has wanted to wear more rings. A wonderful group of bridge-playing ladies volunteer at the nursing home each week and Mother plays cards with them. Evidently several of them wear beautiful wings and Mother wants to do the same. I cannot, however, get her old rings over those substantial knuckles and have tried to make her something she would wear. Unfortunately, I haven’t been able to create anything to suit her. She won’t wear bling and she won’t wear anything plain. I made her a sterling silver S ring that was adjustable, but it didn’t make a hit. This week, I may have finally found the answer. First I had to convince Mamaw that I could NOT work with diamonds and I could not work in gold! Thank goodness she likes lapis. You can see the one I created for her on her finger below. I finally made something both adjustable to go over her large knuckles and acceptable to her.

It’s a bit difficult to see in the second photo that the ring is open in the back. I was able to open it up and slide it past her knuckles and then squeeze it back shut when it reached the base of her finger. She was pleased since lapis is one of her favorite stones. You can see the configuration of the ring better in the photos that follow. The back was not yet cleaned in one of them.

Mother was pleased with her new ring and I hope it will help her hands tell her story. This ring says “I’m still beautiful at 90 years of age and I still take great pride in the way I look.” It also says that someone cares enough about her to try and make her happy.

Today, I’m looking at my own hands and realizing the story they tell. My hands show broken, liver of sulphur colored nails and short stubby fingers that are scraped and marred. My fingers do, however, wear multiple rings when I go out in public. My hands are a combination of both my Mother’s and my Father’s hands. They, too, are hands that work. These hands will create until nature says I must stop. I’m hoping that’s a long time from now.

What do your hands say?

After finishing one small part of the job, I decided it might be more pleasant if I exercised my idle mind with something meaningful. Alas, I couldn’t think of anything . . . but then . . . the words started coming. Idioms and common sayings started creeping in waves across the hills and valleys of my brain until I almost wished I could go back to those idle thoughts. When I thought I couldn’t stand climbing up that ladder to the high windows one more time I realized that only the strong will survive and knew that where there’s a will there’s a way. Telling myself that I surely wasn’t too old to cut the mustard, I just drop(ped my rag) in the bucket and kept working. I climbed that ladder as high as a kite and got down to brass tacks. Unfortunately, I tried to rush the task and my bucket fell off the ladder, dousing my shoes and scaring the poor porch cat. That’s when I remembered that haste makes waste. I was more careful thereafter and glad I didn’t have to hire someone to wash my windows since a penny saved is a penny earned.

After the window episode, I was glad to get back to the workbench and hoped no more sayings would pop into my mind. I was able to complete a dragonfly necklace that I started last night. I appreciate the friend who kindly showed me how to make wire dragonflies. Take a look at her beautiful dichroic glass work at www.wendyhardingdesigns.com. I wanted to use the two dragonflies together, but felt they needed to be stabilized and soldered them onto a copper disc. Then there was that little issue of how to keep any solder from showing and the small copper flower soldered over the dragonfly tails provided the solution. I used mookite beads in this piece. Although I realize the dragonflies are not birds, I just kept thinking how birds of a feather flock together. If I don’t quit thinking this way, I may have to scream. Please don’t tell me if there is a saying about that!