Frequent and long time readers may recall that fold forming was the new technique I chose to develop last December and January during the winter lull between completion of the Fall products and the development of the Spring designs. Unfortunately, I may have moved too quickly from fold forming last year and back into rapid production for my customers. Also, I “closed” on the technique partly because I couldn’t figure out new things to do with it. I chose not to face the somewhat discouraging struggle that forces one into creative generation. I currently have renewed interest in fold forming due to a couple of happenings. Two of my lucky friends took a recent workshop with Kim St. Jean at the Texas Beadfest and their discussion of the class helped add to my refinement of the technique. Also, I gave a demonstration on the technique at a recent gathering of wire workers. Therefore, I had to practice.

The trick for me with fold forming has been trying to make something besides a leaf that would comfortably work as a piece of jewelry. First, I practiced some different ways to hammer on a few leaves and learned how to better ruffle the edges. Then I created a couple of copper cuff bracelets. I like using a long diagonal fold to start the bracelet design and following this with appropriate texture. I quickly learned that it’s important to begin with a longer and wider piece of metal than the size of the anticipated product. I folded the metal first and then cut the final bracelet shape. When I annealed the metal bracelets with a torch during the fold forming process, beautiful colors appeared on the pieces.

I’ve also been experimenting with a star shape shown in Newton-Brain’s book. First I made several pairs of earrings and then I created a larger star and used it as a pendant on a strand of coral. I gave the pendant a liver of suphur bath, tumbled it and then used the torch on it again. It adopted a very rich color.

Now the struggle is to try to develop some ideas of my own for fold formed shapes. Hopefully, I’ll have the time this year to stick with fold forming until I’ve either developed some new ideas or convinced myself that I CAN’T come up with anything new. Wish me luck.

As I played with a new design, I employed the SCAMPER (from Bob Eberle) creative thinking technique in which each letter stands for a different way to make a modification. Using the ‘C” verb,  combine, I wanted to put the wire cuff and some wire weaving together. The “R” verb, reverse, led me to move the swirls in the middle of the dimensional bracelet to another point on the cuff. This also helped me decide to pull in the top middle rather than expanding it as I’ve always done before. I played with the other Scamper verbs and feel they helped contribute to the final product.

I’m still contemplating which of the various versions I like the best. The weaving was probably too difficult for my current technique on the two shown below. This will need practice. Yet, I was able to do a smoother job on the first bracelet shown at the top, indicating the promise of a smooth weave. I’m hopeful that I will continue to improve my skills.

It’s interesting that these bracelets are so comfortable. I’ve been letting various people try them on and they usually comment “this feels good.” I think that means I should stick with it.

My favorite part of the design process is the development of an idea and I’m truly thankful for the many creative thinking techniques I keep tucked in my back pocket. Now I’m at that tedious stage where I simply must keep practicing without much more modifying. Let’s just hope that my technique is on a fast learning curve!

I also hope these new bracelets will be coming to a wrist near you.

I hope the season is remaining pleasant for you as it is for me. This year, instead of being cross, I chose to make a cross. One cross led to another and I am beginning to think I should just start a cross store. See what you think. Below are just a very few of those I’ve made.

The plain wire crosses are the easiest to make being composed of two pieces of 14 gauge wire soldered and then wire wrapped in the middle. These are then patinated and textured to provide the look of wood.

The flower-like wire crosses are a little more challenging. I eyeball the shape and occasionally create one that’s not as symmetrical as I would like. Yes, I know that I could use a jig and make them perfect, but that wouldn’t be me. Although you can’t see it very well in this photo the fold formed leaf at the top shares a jump ring with one of this style crosses.

The embellished cross required some problem solving before hatching. I saw a pendant in a magazine that was made by attaching beads to a filigree with wire. I tried this and liked the look except for the back shown below.

This was one big mess! As I pondered how to cover the mess, I, of course, thought about making it into a cross. First I soldered a wire cross onto a sheet metal disc.

Rather than overlapping the wires for the cross, I cut the side pieces and placed them beside the vertical wire. This made the cross a bit flatter. Finally, I wired the decorative filigree to the wire of the cross and finished the piece.

I made a smaller cross, not pictured, by whittling down the filigree piece. This removed the lovely outer curves and I didn’t like it as well.

Finally, I created a scroll type cross using double wires rather than single.

Customers at my last show seemed to enjoy selecting a cross and then choosing either chain or leather to go with it. They also had a choice of selecting a sterling silver cross. I’ve made these in various sizes.

Now it seems that every time I contemplate a new design, I can see the product made as a cross. Yet, I guess this is better than being CROSS! (I think I just heard a loud “Amen” from the other room.)

I’ve tried to approach the use of silver as I learned to do in my Creative Problem Solving workshops by first stating a question. In what ways might I use sterling silver wire and sheet metal to create pleasing designs that are still affordable? There are a number of criteria inherent in that question including using as little material as possible while still producing a good design. The criteria create nice parameters within which to work. If I develop an idea that doesn’t fit the criteria, then I stop and revise it or throw it out. So far things are working reasonably well within this plan.

The pieces in the photos below show several new silver pieces that all required a little soldering. All of these were small enough that the cost was low and they stayed within the parameters for my problem solving. The earrings might have stayed in place without solder, but I wanted the waves in each direction to remain touching. They were bit tricky to solder.

Rings seemed an appropriate project since they don’t require much wire. The original ring with the heart was designed by my friend at Sherry’s Jewels http://Sherrys-Jewels.com. I made a variation that is adjustable and added a little solder to connect the loose end of the heart to the band.

The next ring design, shown with two variations is composed of four wires, each of which I soldered into a circle before placing them together. Each wire is about 1/2 inch shorter in length than the wire outside it. I then fitted each circle of wire inside the other and soldered in appropriate places. This one is adjustable as well. The one on the right is an overlapping version while both ends of the rings are meant to show on the left one.

I used some left over wire to make the wire ring for the leaf necklace. The ring was soldered and then shaped and textured. The leaf is made from the foldforming technique mentioned in a previous post.

I consider this type necklace a collage since the dangles are an eclectic collection or things. This one also features a copper wire dragonfly and hangs from leather.

I have found that silver wire handles a little differently than copper and due to its lower melting point I have to be more careful with the torch. Yet, I think practice will work these things out and soon I’ll be braver about the size and cost of what I’m making.

Speaking of silver . . . I regret to inform you that I found a tiny bit in my hair the other day. I’m fortunate to not yet have to color away any gray and found that little silver on the side snipped right away with the scissors. If you see me out and about one day and note a small bald spot on my head, you’ll understand what happened.

Families, communities and cultures are also woven and consist of unique individual “threads” that come together to produce the whole. I’d like to believe that the majority of these result in compatibility, but know this isn’t always the case. I do, however, appreciate the idea of being woven into a family where I can retain my individuality yet mesh with my loved ones to create the personality of the group. (We do have personality!)

I think it is interesting how our personalities and mannerisms may vary slightly when we are woven with different groups of people. Just as the other threads of a woven art piece can affect the look of the individual fiber, people influence one another. Some human tapestries bring out my better side while others do the opposite.

Many years ago we lived in Alexandria, Louisiana. There was a weaver in my housing edition and I could see her loom in a big window when I went on walks by her residence. I often thought it might be relaxing to learn this skill. It seemed the ultimate art form resulting from knowing just what fibers and colors should be brought together; yet I never felt this was my artistic calling.

I also admire those jewelry artists who do a beautiful uniform job of wire weaving. I find it to be a difficult technique to master, but refuse to give up. This week I noticed a bracelet design in one of the bead magazines at the bookstore. (Yes, we are lucky enough to still have a bookstore!) The bracelet featured a weave I hadn’t yet tried; so I read the directions and went home to make it. It’s true that I’m often refuse to buy the entire magazine for just one thing I like. Shame on me!

The picture immediately below shows the first piece I tried. It was going to be a bracelet, but I couldn’t ever quite get the clasp right, so it ended as a necklace. I used 6 copper wires as the basis for the weave. They wanted to curve and I let them.

I wanted to see if I might include beads in between the weaves and tried adding small blue seed beads on the second necklace. I would have liked using larger beads, but found they created too much distortion in the shape. You may note some of this even with the tiny seed beads.

After practicing on two necklaces I decided to try another bracelet and used nine base wires in this. Again I worried with the clasp for several evenings and eventually found that with nine wires, the bracelet really didn’t require a clasp. You can see from the photo that I simply swirled the wire ends.

There are many other methods for finishing these, but this seemed appropriate at the time.

There is a certain rhythm to weaving. I thought the repetition would be tiresome, but find it somewhat relaxing in its tedium. Wire weaving, however, lacks some of the personality of weaving with fiber. I’ve yet to discover any surprise regarding how the wire will come together; perhaps I’m too new to the adventure. I think, however, that my next weaving will include some colored hemp along with the wire in order to play with a broader spectrum of possibilities.

While I continue to practice this wire weaving, I likely continue considering what I bring to the tapestries in my life and will hope to add something positive to each. By doing so, perhaps I can influence another “fiber” to do the same.

What have you woven today?

I was multipling for several days this week as I worked on a couple of articles/tutorials for Magpie Gemstones (www.magpiegemstones.com). The first has been published and the second will be out this coming week.

Creating with multiple strands has always been a challenge for me; but this week I remembered a piano pedagogy instructor from a long ago workshop in Dayton, Ohio. She said we should attack our weaknesses. Sometimes I’ve felt I should just avoid my weaknesses, which I prefer to call areas of challenge. This week, however, I heeded that instructor’s words and attacked.

I read the available information online and watched a few videos. Then I commenced to work on my own pieces. When multipling, I had to consider the length of each strand in relation to the others, the bead placement in relation to the strand length and the placement of multiple strand spacers and connectors which somewhat alter strand length. Please don’t ask me how many times I restrung things before I got everything in sync. The two pieces immediately below are thoroughly discussed in Creating Multi-strand Necklaces: Part I http://www.magpiegemstones.com/mutlistrand1.html 

Part II of this discussion, soon to be published, discusses clasps, connectors and spacers for multi-strand pieces. The bib style necklace with leather and the three strand necklace below are featured in that article.

I was enthused enough about multi-strand pieces to go ahead and purchase a fancy clasp for one at the bead show I attended today. It was so pretty, that I decided to use it in the front of the choker style necklace. I don’t make much bling, but I liked this clasp. So, there I sat at the workbench again – multipling.

Now, I need to get back to singling rather than multipling and stop making up new words!

Do you play with wire? One of the most enjoyable parts of playing with wire is manipulating it in various directions just to see what it does. There’s something relaxing about the freedom of working WITHOUT a pattern or a set idea of how a piece will turn out.

Art is one of the few places where the guidelines for problem solving are so open. For example, we’ve recently had a problem here at the ranch and needed a prescribed outcome. There was absolutely No Freedom regarding how things should turn out. When your irrigation pivot won’t run and you have to problem-solve a solution, you want the outcome to be a pivot that runs! (0bviously!) In art, however, the outcome may be unexpected, yet appreciated.

I have worked with what I call “double wire” designs for several months. You may recall the necklaces shown on May 28 which were double wire designs. The Chaos Necklace series has pieces that also begin with the double wire idea.

Today, I wanted to show two of the newer pendant-type necklaces that have hatched as a result of playing with the double wire idea. Both of those shown below feature tourmaline that I purchased from Magpie Gemstones (www.magpiegemstones.com). I actually used just one strand of tourmaline to complete both of these pieces and have also used some of that strand for other things. It was a good buy!

It’s interesting to see how different this style turns out when the wire starts in the same manner.

I’m not sure why I call is double wire, since all the pieces are made from a single piece that doubles back on itself. The challenge is how to make that single wire into a pleasing configuration. Give it a try and see what you can come up with.

If you aren’t a wire worker, just play around with drawing the way the wire might go. By the way, if you come up with something exciting, send it my way!!!

Freedom to play around can be found through many venues. It might be the way you dunk the basketball or a new dance move. Perhaps you play around with a new configuration in arranging a shelf full of books or nick knacks. I think that freedom to play around is just as much an attitude as an action. Am I stuck doing things the same old way, or am I free to try something different? Am I free to let those around me try something new?

Lest one of you takes the above to heed and get’s fired, I should remind you that we need to choose appropriate routes to freedom. If your boss isn’t into it, take care. If you ARE the boss, why not give an inch? We could all stand to play around just a bit more.

I’ve recently become intrigued with wrap style bracelets and the many variations thereof. They are quick and fairly easy to make and the cost of materials is usually quite nominal. I realize these have been around forever, but the resurgence of them within the broader market causes me to rethink their myriad of possibilities. For example, take a look on the Nordstrom’s website and search wrap bracelets. There you’ll find some rather expensive ones ($128 and up) that don’t look much different than those you see that I’ve made.

There are some good free online tutorials that show the process for wrap bracelets. For example, The following link takes you to the DIY tutorial for the bracelets pictured above: http://www.stumbleupon.com/su/1t8Exa/honestlywtf.com/diy/diy-wrap-bracelet/

These are made with leather, ball chain and waxed linen thread. They’re easy as pie.(not that making a pie from scratch is that easy . . . ) I started making them with the regular silver colored ball chain and then found a package of the colored chain at Hobby Lobby. My customers like the colored chain. I also made, but failed to get a picture before it left home, a bracelet with beads instead of the chain. I simply strung beads, crimping at both ends, and used them in the place of the chain. This is a bit trickier, but provides many color and texture choices. I also made one wherein I used colored cord from the fabric department from . . . you guessed it, Hobby Lobby, . . . in place of the chain.

The second tutorial is slightly more complicated, but still easy. I watched a video on the Auntie’s Beads site http://www.auntiesbeads.com/Wrap-Bracelets-Video_p_9111.html) and then made the turquoise and leather bracelet below. I used 6 lb. test Fireline (from the Walmart fishing department) to make my bracelet. This style provides many options for variation.

I made a bracelet that looks just about like the above, but used a different technique. I hand sewed the seed beads between the leather pieces, again using Fireline. The one below wraps around the wrist four times.

Finally, I “borrowed” the idea for the braided bracelet from the Nordstrom’s website. They show a braided bracelet made with two pieces of leather, using the ball chain as the third braiding element. I didn’t have round leather and used multicolored cord. There’s really nothing novel about the braided version, but I had not thought of using chain it it before. You can just barely see the orange ball chain in the picture below but it’s there. Now I’m wondering about a plethora of other things that could be braided with the leather or cord. Any ideas?

This may not be the kind of wrapping some of you were thinking about from the title. But I just can’t do the other RAP. If you can, go right ahead without me, but I’m sticking to this kind of wrapping and that’s a wrap for today.

Tonight I feel lucky that I had that chain since these three pieces needed to be completed and time was ticking away. I’m doing a little art show tomorrow and wanted these to be ready since I wanted to take a few pieces with me that weren’t composed mainly of wire armatures.

The bird’s nest necklace was so easy and fun to make. You just wrap wire round and round a ROUND object and then weave lighter gauge wire in and out of the rounds securing the eggs (beads) with the ends of this wire. I also made a couple of rings like this. Hmm, I wonder what bird would lay this color eggs.

The metal lotus is similar to something I’ve previously created, but I wanted to try a more open look. This one presented a challenge in getting it to solder in a way that wasn’t super messy on the back. Should I tell you that it took two tries?

The third piece probably took the longest to make. It was quite tricky to get the three middle pieces of wire to all ball together in the torch. While you cannot see this very well, I can assure you it doesn’t look very ball-like. Yet, I wasn’t going to do it again! I think the wire weaving took the longest and I really do appreciate those of you who whip out these weaves with the greatest of ease. I’m making myself keep practicing and trying to learn to do this technique without gritting my teeth.

Am I glad that I bought that chain? Yes, today I am because it helped in a crunch. Yet, I realized considerable added cost by making these purchases and that has to go into my pricing. You would think that this should work out about the same as if I had charged for the time it takes to make my own chain. Alas, it’s much easier for me to charge for something I purchased than something I made. I MUST get over that! Is there therapy for pricing anguish?

The first photo shows new disc earrings with turquoise and hammered copper wire dangles. I also made this design with coral dangles and think lapis will adorn the next pair.

The leaves on the second pair were made using foldforming discussed in a previous blog entry.

I think I’ve shown bottle cap earrings previously, but all of a sudden this week I needed 8 more pair. I’m lucky to have a good supply of bottle caps provided by by son. These came all the way from California.

The ‘S” earrings are self explanatory.  I also make a big “S” necklace that hangs from a leather chord.   

I think the design for the pair below, made entirely from wire has possibilities for many other designs. I put a three leaf clover in one pair and hung dangles in another. These are made from 18 gauge wire.    

I made several other pairs and found that the assembly line approach worked best in churning them out. I made 10 discs, then 20 bead dangles and 10 wire dangles before assembling the first pair. The same approach worked for making numerous copies of the other styles. Finally, I made about 20 plus sets of ear wires shown on some of the pictured pairs. When I made the ear wires I tried to pick up one tool and use it on all the wires before going on to the next step. For example, I turned a loop on each of the wires before going to the next step. It seemed to expedite things, but I surely did get sick of making ear wires! When I finished those ear wire I wondered why in the world I don’t just buy them at the store.

Now I know what I can sit around and do when I’m bored – make ear wires! I just need to find out how to get bored.