More will be added at a later date and classes will be adjusted based upon interest and need. January 29: Weaving (Level 1) January 30: Stone Setting: Bezels (soldering prerequisite) February 20: Combinations-Metal and Enamel, aka “A Little Bird Told Me” February 27: Combinations: Cabochon Wrapping with Weaving(prerequisite-cab wrapping and weaving classes) March 12: April 9: Soldering I List of All Possible Classes *classes with prerequisites · Introduction to Jewelry Making (2 classes) · Review of Wire Fundamentals (for those with some prior experience) · Cabochon Wrapping I · Wire Weaving · Introduction to Metal · Soldering I · *Stone Setting – Bezel Making · Stone Setting – Tab Setting · *Stone Setting – Prong Setting · Torch Enameling I · *Torch Enameling II · *Combinations: Cabochon Wrapping With Weaving · *Combinations: Metal Work and Torch Enameling · *Goddesses (in process) · Others as requested or developed

Today I’m teaching a new class that I have looked forward to for some time. Tabs Are It!

This technique has something for multiple levels of participants. It can work for someone who has never previously walloped a piece of metal or for the more advanced metal worker. For the former, we are simply cutting the tabs with shears. The tab plate can then be riveted to a back plate if desired.

For the latter, sawing can be simple or intricate.

I’ve been excited about the variety of looks this technique produces and think it’s just right for those who do not want to solder.

Look for more pieces done in this style.

 

This is the “tween” time of the year when it’s still cold outside, but the stores have Spring showing on the inside. I’m supposed to be designing Spring/Summer jewelry, but my mind-set for this is out of whack. I’m hoping for warm weather soon!

In the meantime, I’ve been working on bracelets that will fit most any season. I saw some earrings on Pintrest that gave me the idea for the bracelet construction shown below and have enjoyed putting them together. I like the bracelets best, but have also used the technique for earrings and a necklace.

Each bead is on a separate headpin and I like making my own with the torch. I’ve also made wire squiggles for the end of some of the pieces. I used simple closed loops to connect some of the headpins and wrapped loops on other bracelets. This varies the look somewhat.

The amethyst bracelet shown directly above also sports a few extra dangles at the ends of some of the beads.

I enjoyed showing the 20 people who came to our Faux jewelry makers group how to make these last week. We had some nice pieces made.

I’ve had such a good time with these that I finally had to make myself move on to the next project. . . . but then, a gal can never have too many bracelets!

Many of you have seen my earrings designs that are published in the current Step By Step Wire Jewelry magazine. It’s pretty cool to see it in the corner of the cover and my tutorial is inside if you want to create them yourself.

These earrings are based on string art like many of us did in mathematics in school. There are several other versions of this design which are not in the publication.

I had forgotten about these other versions since I created them last summer. I may need to revisit them. How about you?

Retreat . . . How would you define it? The dictionary offers several ways including “movement back” and “withdrawal from position”. Neither of these describe the upcoming weekend event.

The Hill Country Bead Society is having a RETREAT this weekend at the Old Quilt Ranch in Wimberley and I’ll be teaching two classes. This is the group’s fifth year and they always provide good food, fun and camaraderie. What more could you want – except good classes.     

The pictures below shows just a few of the possibilities students can make in the “Hot Earrings” class. I designed this class so students who have taken the beginning soldering class can practice their skills. Some students may choose to enlarge an earring design and create a pendant as shown in the second photo.

 

The other class is Torch Enameling II. We’re working with sgraffito, making and using enamel shards and using transparent enamels for the first time. It’s always fun to see what participants come up with as I encourage them to do their own designs rather than copying mine.

Looking farther into the definition of “retreat”, I found “quiet time” and “quiet place”; yet, neither of these describe the upcoming weekend. I’m thinking retreat can also mean “to get away from the usual, leaving regular chores behind in order to relax, renew vision and gather with like minded people.” It sounds good to me. Now I’m off to pack supplies.

Do you push yourself to learn new things, experiment with ideas even if they don’t usually work out or seek opportunities to do things that are likely too hard for you? I do! Often, I look for things to create that are just beyond my level of expertise in jewelry design.

I was struck by this philosophy as I cleaned my studio last week. I have numerous “dog bone” trays full of little things that didn’t work. There’s a tray of wire doodles, a larger tray of metal pieces and one or two of bezels, wire wrapped stones and partially strung necklaces. I would suspect that anyone who “makes things”, whether they are large pieces welded at the barn or small things soldered in a jewelry studio, has a container of things that didn’t work out as expected. It was neat to look through my piles and see that things that I couldn’t do months ago are now no longer a challenge. My prong settings are working well now . . .

. . . as evidenced by the double stone piece shone here. This type setting certainly propelled by stone work forward and now I’m finally confident in trying all sorts of new styles. The first prong that I attempt were not so good!

Also, I found a small collection of torch enameled pieces that were pretty awful looking. (no, I won’t be showing a photo of them here!) I had to laugh as I looked at the newer pieces that I’m working on for an upcoming class. I’m glad I stuck with it.

My conclusion from this is that trying things that at first seem beyond my capability, actually holds the potential for improving my overall technique. The most important element seems to me that I must not yield to discouragement when things don’t work out, but rather look at them as opportunities for growth.